She returned home through a world that was as roseate as it had been gray overnight. She tried to imagine herself “getting something,” to project herself as sitting down at a desk and writing, or as returning after her work to some pleasantly equipped and free and independent flat. She was already a little prepared by her discursive reading and discussion under the Widgett influence for ideas and “movements,” though temperamentally perhaps she was rather disposed to resist and criticise than embrace them. Michelle’s eyes darted around, she refused to look straight at Lucy. "On the way to the cutters," said Ah Cum.
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