The metrical irregularity is intentional, because I want, as it were, to put you apart: to change the lilt and the mood altogether when I speak of you. I suppose that shocks one’s ideas. "Why do you laugh?" she asked gravely. ‘How in God’s name did the wretched fellow get in then?’ ‘Dug a tunnel?’ suggested Gerald, halting next to a pair of French windows at the front.
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