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Guiding this man of hers over the troubled sea of life had engraved these lines. The first of these, the Press Room, a dark close chamber, near Waterman's Hall, obtained its name from an immense wooden machine kept in it, with which such prisoners as refused to plead to their indictments were pressed to death—a species of inquisitorial torture not discontinued until so lately as the early part of the reign of George the Third, when it was abolished by an express statute. Perhaps Gerald was not as clothheaded as he had thought. “If you speak—farewell. Don’t touch the handle, Annabel! Curse the thing, you’ve jammed it now. He tired of his popcorn and placed it under his seat. The door popped open with a sigh. At this moment, Blueskin appeared with the lamp, and revealed a horrible spectacle,—the floor deluged with blood,—various articles of furniture upset,—papers scattered about,—the murdered man's cloak, trampled upon, and smeared with gore,—his hat, crushed and similarly stained,—his sword,—the ensanguined cloth,—with several other ghastly evidences of the slaughterous deed. And she had been doubting since that walk in the Zoological Gardens whether, indeed, he did simply care for her. This one was Henry Esmond, that one the melancholy Marius, and so forth and so on; never any villains.

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