Stanley was inclined to think the censorship should be extended to the supply of what he styled latter-day fiction; good wholesome stories were being ousted, he said, by “vicious, corrupting stuff” that “left a bad taste in the mouth. “He is Annabel’s husband,” she reminded him. Yet every now and then, during the progress of the meal, his attention apparently wandered, and leaning forward he glanced covertly at Anna with a curious mixture of expressions on his face. “Please search everywhere,” she said. He was always drawing contrasts between a woman’s lot and a man’s, and treating her as a wonderful new departure in this comparison. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties.
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