The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. He would pull this young fellow back; but later he knew that he would have to fight the boy's lack of will to live. "I was not aware it was in danger," rejoined Darrell.
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